Thursday, September 16, 2010

Plains State

"The beauty of the plains is like that of an icon; it does not give an inch to sentiment or romance."



". . . what seems stern and almost empty is merely open, a door into some simple and holy state."





The quotations are from Kathleen Norris's DAKOTA; I took the pictures between Cassoday, KS and Cottonwood Falls, KS.





Oh, yeah. We were off to the family reunion. It was windy, as you can tell from the bent over grasses and flowers in these pictures.



The wind and the grand view seem to peel away whatever isn't very important. It's a natural meditation, costing nothing and requiring neither yoga posture nor mantra; the wind would blow me over if I tried a warrior stance, and I 'd have to OM pretty loud to hear myself. The wind is the mantra of the plains; anything else would be lost in this space.

Monday, September 13, 2010

More from Lucas: Grassroots Art Center

I didn't know that Kenneth Starr was a green-eyed, orange-gold half-insect/half-mammal until I saw M. T. Liggett's sculpture at the Grassroots Art Center in Lucas, Kansas. And when I did, first I laughed, and then I thought, "Of course!" Here I had been dully classifying him in the more generic categories of Time and Money Wasters or People Never to Invite to Dinner. He still goes into the same broad classifications, but now "Kenneth W. Starr" is irrevocably and comically linked to this shiny fantasy.


Lucas is full of playful art, by turns bizarre, grotesque, sentimental, painstaking, and just silly:

Bad puns: "American Fork Art" in the grassy space next door:





And the "Garden of Eatin" exhibited at the Deeble house:



Back inside the center, art from stuff found at Westlake Park by John Woods:




Carrie Nation on Roller Skates:



And lots of metal whimsy: John Scott's piece shows that, artistically at least, sometimes a fish can need a bicycle.





I love Jim Dickerson's flat metallic dog and the Gold Big Head on Wheels next to -- can that be asparagus? If so, I didn't notice it there, and I'm probably just making up the asparagus. But it wouldn't seem out of place.







Bob Mix's King of the Lawnmower (again, my title, not the artist's):



Inez Marshall's carved limestone pieces:







The motorcycle wheel is meticulously detailed:




Herman Divers's soda can tab creations:







The hat looks wearable.




Mri-Pilar's re-interpretations of the Barbie:





The "Rebarbs," as they are called, are so plentiful that they have taken over most of the Deeble house. There's so much to take in we didn't even make it to Eric Abraham's Flying Pig Studio and Gallery or The Worlds Largest Things Travelling Roadside Attraction and Museum ("the world's largest collection of the world's smallest versions of the world's largest things").

We were already exhilarated enough. Coming back to the Grassroots Art Center from the Deeble house, my father was moved to wrap a soda can around his foot and click at every step. He learned how to do that eighty some years ago. "The whole town will be talking about you," the tour guide told him, which just goes to show that even in the midst of all the splendor of Lucas, familiarity breeds boredom.






More pictures from the exhibit in Lucas (including a somewhat better picture of Kenneth W. Starr): http://www.kansastravel.org/grassrootsart1.htm



More about grassroots artists: http://www.grassrootsart.net/menu_Art.html




More on the "Rebarbs" and the "Garden of Isis" from Mri-Pilar:

http://rebarb.blogspot.com/